8:2 – A call to Phillip

Try as I might I've not managed to find a still of Ray calling Phillip on the phone to use as the header image for this post, so you'll have to settle for this shot of Ray from the previous scene. Ray's (George Griffith) voice opens the next, brief scene, as he places a phone … Continue reading 8:2 – A call to Phillip

8:1.2 – Intervention

Angelo Badalamenti's music changes to something altogether more bizarre; a hesitant, jumping piece of music that lilts and bobs as events grow increasingly off-kilter for Ray (George Griffith). Ray looks up and sees a number of Dirty Bearded Men coming toward them through the sparse woodland and shrub of the desert. They're only really visible … Continue reading 8:1.2 – Intervention

8:1 – Night drive

Part 8 is a very special installment of The Return. A detour, if you will, into the past, and into Lynch's more personal, artistic and fascinating approach to exposition. Appropriately, the scenes set in the present all take place at night, giving the hour the feel of something illicit and also, of course, dreamlike. The … Continue reading 8:1 – Night drive